Faustin Linyekula’s Groundbreaking Performance at Venice Biennale
Renowned Congolese choreographer Faustin Linyekula is set to unveil his latest work, The Galeazze Project, at a historic shipyard in Venice, a venue that has remained closed to the public since World War II. This unique performance, commissioned by the Scuola Piccola Zattere, will take place over two nights, inviting up to 500 attendees into the expansive 32,291-square-foot space. As the opening date approaches, Linyekula and his team are diligently preparing for what promises to be a captivating experience.
Preparing for a Unique Performance
In the heart of the Galeazze shipyard, Linyekula is seen guiding a group of young performers, drawing lines in the gravel as if mapping out a strategic plan. With only two days until the performance, the atmosphere is a blend of excitement and urgency. Curator Edoardo Lazzari keeps a close eye on the weather, concerned about how rain might affect the acoustics of the venue, which has already impressed during rehearsals. The production team is busy setting up lighting and sound equipment, transforming the overgrown ruins into a vibrant stage.
Linyekula, who has previously showcased his work at prestigious venues like the Metropolitan Museum of Art and Tate Modern, remains focused on his dancers. He emphasizes collaboration and shared creativity, demonstrating movements that blend traditional African dance with contemporary styles. The Galeazze Project is part of a series of events coinciding with the 2026 Venice Biennale, which opens to the public on May 9. This initiative not only highlights the artistic potential of the shipyard but also aims to fund its restoration, with proceeds from the performance contributing to the preservation of the historic site.
A Collective Artistic Vision
Linyekula’s approach to The Galeazze Project challenges the conventional notion of the artist as a solitary genius. Instead, he embraces the role of facilitator, working alongside local performers and musicians, including those from the Venetian music label Cosmogram. This collaborative spirit is echoed in the Biennale’s central exhibition, “In Minor Keys,” curated by the late Koyo Kouoh, which features artist-led organizations from Africa. Linyekula’s own organization, Studios Kabako, has been instrumental in promoting arts education and community development in the Democratic Republic of Congo.
Born in Kisangani, Linyekula’s journey into the world of dance began after he moved to Kenya, where he was inspired by a workshop encounter with choreographer Alphonse Tiérou. His work often reflects his quest to connect with the history of his homeland, and The Galeazze Project signifies a new direction in his artistic exploration. By engaging with dancers from diverse backgrounds, he aims to convey a universal experience of being alive, transcending cultural boundaries.
